Painted along one of the lakes in Durand Eastman Park on Halloween 2005. It was overcast, but warm for late October and the colors in the trees were spectacular. .size 9" x 12"
This painting is framed and matted, overall size 15" x 18"
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Creating pastel paintings en plein air throughout upstate New York.
From city scenes around Rochester, the hills of the Finger Lakes and to the shore of Lake Ontario.
Painted along one of the lakes in Durand Eastman Park on Halloween 2005. It was overcast, but warm for late October and the colors in the trees were spectacular. .
Behind Schoen Place, there's a beautiful meadow - part of an unworked farm. We were told that at one time they raised miniature horses there.
The colors were spectacular and the water was perfectly calm. The bridges in the park are a terrific subject. SOLD
There was a beautiful yellow glow in the sky on this morning - something I never really noticed before, so it made this painting special for me. Even the marsh grass (which is usually artistic suicide for me) came out well. Done at Burger Park on Salmon Creek. This has become one of my favorite paintings.
Done on a hazy, hot summer morning while standing on the right of way on Empire Blvd. The traffic flying past was a bit unnerving, but the scene itself was calm and pleasant. This painting will be given to the attorney who donated his time and energy to help the Genesee Valley Plein Air Painters to incorporate. SOLD
My friend and I spotted a group of flowering crabapple trees along the road and decided to stop to paint. Unfortunately, I forgot to bring a board to paint on and had to borrow something from him to work on. (I hate when I forget stuff.) We didn't have much time, as we had gotten a late start. As it turned out, this wasn't the clump of trees we were originally going to paint which were in full bloom. They were further up the road. Never the less, it came together nicely.
The water was clear and sparkling at Conesus Lake on this spring morning. A few years ago, we'd had the opportunity to stay at a cottage on Conesus Lake and being here now brought back a lot of nice memories. SOLD
This was done at Borglum's Iris Gardens, located at the highest point right between two of the Finger Lakes, near the village of Hall. In the spring it over-flows with iris, peonies and daylilies of every shape and color. It is an amazing sight to see. This is what heaven must be like: acres of beautiful flowers everywhere. Sadly, the day we were there, a thunderstorm cut our painting session short when a huge crack of thunder exploded over our heads and the rain sent us scurrying for cover.
On rare occasions, I will paint a still life - usually only if there is just no way I for me to get out to paint. Oddly enough, it take me longer to paint a still life than a landscape. With a still life, I tend to see every tiny detail and try to put them all in. With a landscape, it's easy for me to simplify everything. A friend suggested painting the eggs which are so simple, yet so complicated and the rose was just something beautiful.
Beatty Point, a few miles from my house, is one of my favorite places to paint. It feels very remote although it's right off the Parkway and Long Pond Road. I always seem to find something to paint there, no matter what time of year it is. The paintings don't always come out well, but I always enjoy being there. This painting was done in early spring and the combination of winter grass colors and spring leaves just coming out made for an interesting composition. SOLD
While in North Greece, at the top of Frisbee Hill, I started this painting. It was over-cast, and sure enough, after a while it began to sprinkle. We had to call it a day because, although I can work outside in wind, snow, cold or heat, I can't work in the rain. Each raindrop looks like a small explosion in the pastel dust. I did have the start of a good painting though. With a bit of touching up of the splatters made by the rain, it worked out to be a very nice painting.SOLD
The other day, while painting along Lake Ontario, I had the unfortunate experience of having my whole painting, board and easel fall into the lake. I fished it out and, after watching it dry in the sun, decided the image still looked pretty good. I continued to work on it and felt that the fall in the lake actually did it some good since it had washed away some of the over-worked areas. I was pleased with the results and set it upright in the sand to go and look at my friend's painting. I turned to go back to my painting and discovered that the wind had blown it facedown into the sand! Even so, it still looked pretty good, but I decided I'd better quit while I was ahead and packed it up to go home. It turned out to be a great painting.
This is it! The first painting I've done of snow, in snow! It was a beautiful sunny morning and the wind was cold. I stood with my back to a hillside to keep out of the chill even though it was about 30 degrees. The shadows in the snow were a joy to paint as they were all purple and blue. I really enjoyed painting this scene and tried to evoke the warm, happy feeling of painting the snow as it melted in the sunshine. This was done in February 2006 at Corbett's Glen.
Once again, painting in January with no snow. This time the subject was the Lake Ontario shore line from Summerville in Irondequoit. Several of us braved the frigid wind that day and went to the Irondequoit Bay Outlet where there is a great marine park and fishing access. The sun was low in the sky, with a soft haze. This view, with it's long purple shadows, seemed to cry out to be painted.
This has been a remark-able winter here in Rochester. There has been very little snow and it's been relatively warm. I've been looking forward to painting snow, since I haven't had the chance yet. But the colors and sublties of the winter landscape without snow have been a wonderful change from all of the green of the past summer.
I am lucky enough to have met other people who have some great ideas of places to paint. On this day, we were a farm in Spencerport and the first harvest - peas, had been cleared away. I liked the curve of the field around the big, old tree and the distant tree line at the far edge of the field with it's deep shadows. The soil was freshly tilled and a warm color.
I have a great fondness for the Braddocks Bay area. As a child, my mother and her family used to rent a cottage there. My grandma played the piano at a dance hall nearby and of course, there were stories about the trolley that used to go across the mouth of the bay. When I was a teen, my friends and I used to have parties and picnics there. On this day, there was almost no breeze and the sun was warm - a great day to paint.
It was an overcast day at Warner Castle in Highland Park. I had just about finished the painting when the sun broke through the clouds and back-lit the entire scene, filling it with beautiful glowing greens. At first I was dismayed at how everything had changed so dramatically, but then saw how beautiful it was and decided to just go with what I saw.
It was winter and 10 degrees outside, but I needed to get out and paint. I threw my gear into the car and headed west. I found this beautiful scene in Hamlin, parked my car on the bridge and began to paint. I was so engrossed in the work that I never heard or saw the D.E.C. guy when he stopped to check on me and to make sure I was OK until he had pulled up right beside me and honked his horn. I was in "the zone" - (a term used by painters to describe complete concentration on their painting).
Done in June 2005 at the Rhododendron area of Highland Park. The sky was so clear and such an intense shade of blue, that it cast a blueish tint over everything. It was also very hot. I was in full sun and came home sunburned in all the areas I missed with the sunscreen. The vantage point I was at was on the side of a hill, so I kept sliding out of my chair. I was also severely dehydrated because I'd forgetten to bring my water bottle. When I saw how beautiful the finished painting was though, I decided it was worth all of the difficulties of the process.